Ornaments
b. 70
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composition: Op. 21, Concerto in F minor, Mvt III
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It is a very instructive example of how the accumulation of minor inaccuracies of subsequent editions transformed the acciaccatura in A into a regular crotchet in EE (the crotchet in FE is printed in a font of intermediary size, used in the orchestral part). All changes concerning the a1 note are most probably erroneous, whereas placing it over the rest in GE1 seems to have been forced by lack of space. category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions |
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b. 428
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composition: Op. 21, Concerto in F minor, Mvt III
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We suggest adding an arpeggio mark in the main text, since the arpeggio written in A in bar 428 is, according to us, to be regarded as the model for all analogous bars (including 466 and 468). The wavy lines were added already in EE3. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 466
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we suggest adding an arpeggio mark. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 468
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composition: Op. 21, Concerto in F minor, Mvt III
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We suggest adding an arpeggio mark in the main text. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 481
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composition: Op. 21, Concerto in F minor, Mvt III
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The missing arpeggio mark in A before the 1st chord in the L.H. is a patent mistake, corrected already in GE (→FE→EE). category imprint: Interpretations within context; Differences between sources issues: GE revisions , Errors of A |