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Pedalling

b. 468

composition: Op. 21, Concerto in F minor, Mvt III

No markings in sources

Pedalling suggested by the editors

..

There is no apparent reason to suggest performing this bar without pedal the fourth time it occurs. Therefore, in the main text we suggest adding markings after the previous identical bars.

category imprint: Editorial revisions

b. 494-502

composition: Op. 21, Concerto in F minor, Mvt III

 in A & GE2

No pedalling in GE1 (→FEEE)

 & [] suggested by the editors

..

No pedalling markings in GE1 (→FEEE) must be an oversight – in A the  mark is written carelessly and just above the clef opening the line of the cello part in Morch, so it could have been unrecognised. According to us, Chopin wanted to hold pedal at least until the end of bar 501 – cf. an analogous situation in bars 353-356. In the main text we suggest it with a mark in bar 502.

category imprint: Differences between sources

issues: Errors in GE , GE revisions , No pedal release mark

b. 502

composition: Op. 21, Concerto in F minor, Mvt III

..

In the sources there is no sign to release the pedal started in bar 494. According to us, a pedal held more or less to the indicated place sounds good. See bars 494-502.

category imprint: Editorial revisions