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Fingering

b. 6

composition: Op. 21, Concerto in F minor, Mvt II

Fingering written into FES

No teaching fingering

..

The fingering digit, written with a quill pen most probably by a pupil, was probably added in place of an entry written in pencil by Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 7

composition: Op. 21, Concerto in F minor, Mvt II

Fingering written into FED

No teaching fingering

..

The fingering above the trill, written in FED most probably by Chopin, is a simplified notation, generally indicating the fingers with which the trill is to be played. It absolutely does not mean that the enote is to be repeated after dat the beginning of the trill. One can see another sign in this copy, which may be a fingering digit: the dash under the first dgrace note may be considered a one. However, such an interpretation carries a risk of uncertainty, therefore, we do not include it in the main text.

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 23

composition: Op. 21, Concerto in F minor, Mvt II

Fingering in A

No fingering in GE (→FEEE)

Fingering written into FED

..

The fingering digits written in A were overlooked in GE (→FEEE). Chopin confirmed this fingering with an entry in FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Errors in GE

b. 24

composition: Op. 21, Concerto in F minor, Mvt II

Fingering written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 28

composition: Op. 21, Concerto in F minor, Mvt II

Fingering written into FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED