mUltimate Chopin

Page:

Source:

p. 59, b. 289-293

p. 1

p. 2, b. 1-6

p. 3, b. 7-13

p. 4, b. 14-19

p. 5, b. 20-26

p. 6, b. 27-32

p. 7, b. 33-39

p. 8, b. 40-45

p. 9, b. 46-51

p. 10, b. 52-57

p. 11, b. 58-63

p. 12, b. 64-70

p. 13, b. 71-77

p. 14, b. 78-81

p. 15, b. 82-86

p. 16, b. 87-91

p. 17, b. 92-96

p. 18, b. 97-100

p. 19, b. 101-105

p. 20, b. 106-110

p. 21, b. 111-115

p. 22, b. 116-120

p. 23, b. 121-125

p. 24, b. 126-131

p. 25, b. 132-137

p. 26, b. 138-141

p. 27, b. 142-145

p. 28, b. 146-149

p. 29, b. 150-154

p. 30, b. 155-159

p. 31, b. 160-164

p. 32, b. 165-168

p. 33, b. 169-172

p. 34, b. 173-176

p. 35, b. 177-180

p. 36, b. 181-185

p. 37, b. 186-191

p. 38, b. 192-196

p. 39, b. 197-201

p. 40, b. 202-206

p. 41, b. 207-212

p. 42, b. 213-216

p. 43, b. 217-220

p. 44, b. 221-224

p. 45, b. 225-228

p. 46, b. 229-232

p. 47, b. 233-236

p. 48, b. 237-240

p. 49, b. 241-244

p. 50, b. 245-248

p. 51, b. 249-252

p. 52, b. 253-256

p. 53, b. 257-261

p. 54, b. 262-266

p. 55, b. 267-272

p. 56, b. 273-277

p. 57, b. 278-283

p. 58, b. 284-288

p. 59, b. 289-293

p. 60, b. 294-297

p. 61, b. 298-301

p. 62, b. 302-305

p. 63, b. 306-309

p. 64, b. 310-313

p. 65, b. 314-317

p. 66, b. 318-321

p. 67, b. 322-325

p. 68, b. 326-329

p. 69, b. 330-333

p. 70, b. 334-338

p. 71, b. 339-343

p. 72, b. 344-348

A - Autograph of the piano part

Main text

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

image transcript edited text

Prezentacja

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copy link PDF A - Autograph of the piano part

b. 290-291

Beginning of slur in A (contextual interpretation), EE & GE2

Beginning of slur in A (possible interpretation)

Beginning of slur in GE1 (→FE)

The beginning of the 2nd slur in this bar is unclear. The slur of A is certainly inaccurate in this respect – we assume that Chopin wanted to embrace the entire group of small notes with it, as in analogous bar 142. GE1 interpreted it in a similar way, yet the inaccurately placed slur included also the e¹crotchet (which was corrected in GE2). FE generally reproduced the version of GE1; however, the different layout of the slurs coinciding on the e¹crotchet contributed to the fact that EE interpreted it already as the beginning of the slur from the 1st small semiquaver.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE, Inaccuracies in FE, Inaccurate slurs in A, GE revisions

notation: Slurs

Missing markers on sources: GE1, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3

Complete ➔

Op. 21, Concerto in F minor, Mvt I