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Source:

p. 29, b. 150-154

p. 1

p. 2, b. 1-6

p. 3, b. 7-13

p. 4, b. 14-19

p. 5, b. 20-26

p. 6, b. 27-32

p. 7, b. 33-39

p. 8, b. 40-45

p. 9, b. 46-51

p. 10, b. 52-57

p. 11, b. 58-63

p. 12, b. 64-70

p. 13, b. 71-77

p. 14, b. 78-81

p. 15, b. 82-86

p. 16, b. 87-91

p. 17, b. 92-96

p. 18, b. 97-100

p. 19, b. 101-105

p. 20, b. 106-110

p. 21, b. 111-115

p. 22, b. 116-120

p. 23, b. 121-125

p. 24, b. 126-131

p. 25, b. 132-137

p. 26, b. 138-141

p. 27, b. 142-145

p. 28, b. 146-149

p. 29, b. 150-154

p. 30, b. 155-159

p. 31, b. 160-164

p. 32, b. 165-168

p. 33, b. 169-172

p. 34, b. 173-176

p. 35, b. 177-180

p. 36, b. 181-185

p. 37, b. 186-191

p. 38, b. 192-196

p. 39, b. 197-201

p. 40, b. 202-206

p. 41, b. 207-212

p. 42, b. 213-216

p. 43, b. 217-220

p. 44, b. 221-224

p. 45, b. 225-228

p. 46, b. 229-232

p. 47, b. 233-236

p. 48, b. 237-240

p. 49, b. 241-244

p. 50, b. 245-248

p. 51, b. 249-252

p. 52, b. 253-256

p. 53, b. 257-261

p. 54, b. 262-266

p. 55, b. 267-272

p. 56, b. 273-277

p. 57, b. 278-283

p. 58, b. 284-288

p. 59, b. 289-293

p. 60, b. 294-297

p. 61, b. 298-301

p. 62, b. 302-305

p. 63, b. 306-309

p. 64, b. 310-313

p. 65, b. 314-317

p. 66, b. 318-321

p. 67, b. 322-325

p. 68, b. 326-329

p. 69, b. 330-333

p. 70, b. 334-338

p. 71, b. 339-343

p. 72, b. 344-348

A - Autograph of the piano part

Main text

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

½A - Semi-autograph

A - Autograph of the piano part

Morch - Manuscript of the orchestra part

GE - German edition

GE1 - First German edition

GE1a - Retouched impression of GE1

GE2 - Second German edition

FE - French edition

FE1 - First French edition

FE2 - Corrected impression of FE1

FED - Dubois copy

FEJ - Jędrzejewicz copy

FES - Stirling copy

EE - English edition

EE1 - First English edition

EE2 - Revised impression of EE1

EE3 - Corrected impression of EE2

Importance

Undo Clear

image transcript edited text

Prezentacja

Select

copy link PDF A - Autograph of the piano part

b. 150-151

End of slur in A (literal reading→GE1→FE→EE)

End of slur in A (contextual interpretation) & GE2

It is unclear whether the slur of A ends together with the last semiquaver in bar 150 or whether it is supposed to reach further, to the next bar. In GE1 (→FE→EE) the first possibility was adopted, which was changed in GE2. We are in favour of the second interpretation, since the octave at the beginning of bar 151 is undoubtedly the end of the prior phrase. Starting the new thought from semiquavers is confirmed by added in FED.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccurate slurs in A, GE revisions

notation: Slurs

Missing markers on sources: GE1, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3

Complete ➔

Op. 21, Concerto in F minor, Mvt I