Page: 
Source: 
p. 10, b. 154-168
p. 1, b. 1-22
p. 2, b. 23-49
p. 3, b. 50-76
p. 4, b. 77-92
p. 5, b. 93-104
p. 6, b. 105-114
p. 7, b. 115-124
p. 8, b. 125-140
p. 9, b. 141-153
p. 10, b. 154-168
p. 11, b. 169-180
p. 12, b. 181-204
p. 13, b. 205-219
p. 14, b. 220-230
p. 15, b. 231-240
p. 16, b. 241-250
p. 17, b. 251-267
p. 18, b. 268-286
p. 19, b. 287-298
p. 20, b. 299-313
p. 21, b. 314-327
p. 22, b. 328-348
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 162-164

Staccato dots in bar 162 in A

Dots in bars 163-164 in GE1 (→FEEE)

Dots in bars 162 & 164 in GE2

The missing staccato dots in bar 162 in GE1 (→FEEE) are certainly an oversight of the engraver of GE1 (cf. bars 156-160). Similarly, the absence of dots in bar 164 in A is also to be regarded as an oversight – in this bar, the last on the page, Chopin overlooked all articulation markings in the L.H. (dots and slurs). Dots were added in GE1 (→FEEE); however, they were added also in the previous bar (163), which, as it seems, was not compliant with Chopin's intentions (cf. bar 161 and the note on slurs in bar 159). However, this does not exclude Chopin's participation in the proofreading, since the composer could have changed the concept of markings. According to us, it is a mistake at the time of performing the proofreading or an editorial revision that are more likely.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: GE revisions, Authentic corrections of GE, Inaccuracies in A

notation: Articulation, Accents, Hairpins

Missing markers on sources: GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3