Page: 
Source: 
p. 18, b. 268-286
p. 1, b. 1-22
p. 2, b. 23-49
p. 3, b. 50-76
p. 4, b. 77-92
p. 5, b. 93-104
p. 6, b. 105-114
p. 7, b. 115-124
p. 8, b. 125-140
p. 9, b. 141-153
p. 10, b. 154-168
p. 11, b. 169-180
p. 12, b. 181-204
p. 13, b. 205-219
p. 14, b. 220-230
p. 15, b. 231-240
p. 16, b. 241-250
p. 17, b. 251-267
p. 18, b. 268-286
p. 19, b. 287-298
p. 20, b. 299-313
p. 21, b. 314-327
p. 22, b. 328-348
Main text
Main text
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
No differences
½A - Semi-autograph
A - Autograph of the piano part
Morch - Manuscript of the orchestra part
GE - German edition
GE1 - First German edition
GE1a - Retouched impression of GE1
GE2 - Second German edition
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
EE3 - Corrected impression of EE2
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  b. 283

c1 in A & GE2

No c1 in GE1 (→FEEE)

The version of GE1 (→FEEE) is a result of Chopin's proofreading, which is proved by the traces of deletion of con the 5th quaver in the bottom voice. However, a more detailed analysis of traces of corrections in print proves that it was also gthat was being removed there. It means that Chopin most probably did not proofread the text of A, which was fine, but the false c1-a1-c2-gchord: . Concentrated on correcting the sound in the place of mistake, it is possible that the composer did not thoroughly check the context and resolved the e1-dseventh to the a1-cthird, particularly since a similar shape of accompaniment appears three bars later in bar 286, very similar in terms of harmony. Moreover, taking into account the possibility of an accidental removal of the correct cnote as a result of a misunderstanding at the time of implementing the proofreading, in the main text we give the version of A. The proofread version of GE1 can be considered an equal variant.

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category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Errors in GE, Authentic corrections of GE

notation: Pitch

Missing markers on sources: GE1, A, GE1a, Morch, GE2, FE1, FE2, FES, FED, FEJ, EE1, EE2, EE3