Articulation, Accents, Hairpins
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b. 337
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composition: Op. 21, Concerto in F minor, Mvt I
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The first out of two long accents, written in this bar in A, was overlooked in the editions, probably due to lack of space resulting from the placement of the Tutti indication between the staves in GE1. The second, excluding accidental changes of long accents to short ones and vice versa, was placed in GE (→FE→EE) in the middle between the staves (and not directly over the crotchet in the L.H.) and in FE (→EE), in addition, it was erroneously moved a quaver earlier. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , Errors in GE |
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b. 339-340
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composition: Op. 21, Concerto in F minor, Mvt I
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Taking into account a significant similarity of these bars to the previous ones, in the main text we suggest analogous markings. category imprint: Editorial revisions |
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b. 341
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 345
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composition: Op. 21, Concerto in F minor, Mvt I category imprint: Differences between sources issues: Errors in GE , GE revisions |
suggested by the editors
hairpin – together with 
– in the proofreading of 
