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Rhythm

b. 81

composition: Op. 21, Concerto in F minor, Mvt I

..

The figure filling the 3rd crotchet in the bar is composed of a semiquaver and 7 demisemiquavers, hence it creates an irregular group of an undefined structure. We preserve the vague notation of the sources, since it does not raise any doubts concerning the way of performing the figure and most probably it does not contain a mistake – it can be understood e.g. as a  or a .

category imprint: Interpretations within context; Source & stylistic information

issues: Inaccuracies in A

b. 81

composition: Op. 21, Concerto in F minor, Mvt I

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In the main text we add digits specifying appearances of irregular groups.

category imprint: Editorial revisions

b. 85

composition: Op. 21, Concerto in F minor, Mvt I

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To the end of the roulade, FE (→EE) includes an erroneous semiquaver rest.

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE

b. 89

composition: Op. 21, Concerto in F minor, Mvt I

Quavers in A & GE2

Dotted rhythm in GE1 (→FEEE)

..

In the main text we give the rhythm of A, not raising any source or musical doubts. The version of GE1 (→FEEE) is probably erroneous:

  • the layout of the text in GE1 practically excludes a possibility of performing rhythmical corrections at this place;
  • the authentic phrasing combines less naturally with a dotted rhythm on the 3rd beat (cf. phrasing and rhythm in the previous bar).

GE2 restored the version of A.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Errors in GE , GE revisions , Dotted or even rhythm

b. 92

composition: Op. 21, Concerto in F minor, Mvt I

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In FE (→EE) the sextuplet was misprinted for demisemiquavers.

category imprint: Differences between sources

issues: Errors in FE , Rhythmic errors