Page: 
Source: 
p. 10, b. 215-241
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 222-224

Three long accents in GC

Two long accents in FE

Three short accents in EE

Three different accents in GE

Our variant suggestion

The missing accent in bar 223 could be considered to be an inaccuracy of the engraver of FE, if it were not for Chopin proofreading of the analogous fragment of the exposition, in which he removed, among others, the counterpart of the accent (see bars 93-96). On the other hand, the authenticity of three accents of GC does not raise any doubts, whereas the third accent added in EE may come from Chopin. Therefore, in the main text we suggest variant solutions.
All three accents of GC are long and it is in this form that we give them.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents, Inaccuracies in GE

notation: Articulation, Accents, Hairpins

Missing markers on sources: FESch, FED, FES