mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt I

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Page: 
Source: 
p. 7, b. 141-160
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 151-152

g2 & g1 in GC (→GE) & FE (→EE1)

g2 & g1 in EE2

g2 & g1 suggested by the editors

The naturals raising g2 to g2 and g1 to g1 are certainly an arbitrary addition of the reviser of EE2, who perhaps considered the natural character of the piano grip, since in terms of style, there is no reason to assume here an oversight of the naturals by Chopin.
In the main text we add a cautionary  before g2 in bar 151.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions

notation: Pitch

Missing markers on sources: FESch, FED, FES
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