Page: 
Source: 
p. 3, b. 49-72
p. 1, b. 1-24
p. 2, b. 25-48
p. 3, b. 49-72
p. 4, b. 73-92
p. 5, b. 93-120
p. 6, b. 121-140
p. 7, b. 141-160
p. 8, b. 161-192
p. 9, b. 193-214
p. 10, b. 215-241
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected reprint of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
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GE2 - Corrected reprint of GE
EE - English edition
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EE2 - Revised impression of EE
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  b. 59-63

in GC (→GE) & FE1 (→FE2)

e in FE3 (→FE4), EE & FESch

The note present at the beginning of bars 59 and 63 in GC (→GE) and FE1 (→FE2) is the original version of the bass in these bars. Chopin changed them to e in the proofreading of FE3 (→FE4), in the base text to EE and FESch. In the corresponding bar of the recapitulation (bar 187), the fifth as the base of chord is present accordingly in all sources. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Authentic corrections of FE, Authentic corrections of EE, Annotations in FESch

notation: Pitch

Missing markers on sources: FED, FES