mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt II

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Page: 
Source: 
p. 2, b. 31-58
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 36-37

Double bar-line in GC (→GE)

Single bar-line in FE (→EE)

The double bar line was added in GC most probably by Chopin. According to us, it did not result from the will of indicating a musically relevant division, it was only aimed at facilitating the orientation in the abbreviated notation of the return of the main section of the Scherzo – Chopin added a double bar line also after the relevant bar of the recapitulation (bar 224). Therefore, in the main text we preserve the original notation of [A] (→FE) without the double bar line.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Authentic corrections in GC

notation: Shorthand & other

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2
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