Page: 
Source: 
p. 3, b. 59-94
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
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GC - Gutmann's Copy
FE - French edition
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FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
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FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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FE - French edition
FE1 - First French edition
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FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
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EE - English edition
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EE2 - Revised impression of EE
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  b. 61

No dot in GC (→GE) & FE

Staccato dot in EE

The staccato dot over the 1st octave was most probably added by Chopin in the base text to EE. According to us, the aim of its addition could have been a sui generis correction of a too early started slur – see the note above. Therefore, choosing the suggested by us alternative version of the slur, one does not have to take this dot into consideration.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Authentic corrections of EE

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2