Page: 
Source: 
p. 6, b. 161-193
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 182

In GC and FE (→EE1) the  before the top most note is already before the 1st chord. It is hard to say how the mistake, which had to be already in [A], occurred (corrections?). In addition, in the proofreading of FE4, this obviously erroneous version was confirmed, by adding in this chord a  before c1. It is either a mistake of the engraver or a missed revision. In GE the  was moved before the second chord, in accordance with the musical sense and the version of analogous bar 142; similarly in EE2, in which, however, flats before the extreme notes of the 1st chord were added.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: EE revisions, Errors in FE, Errors in EE, GE revisions, FE revisions, Errors of GC

notation: Pitch

Missing markers on sources: FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2