Page: 
Source: 
p. 3, b. 43-64
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-64
p. 4, b. 65-84
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Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
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  b. 49

No ornament in GC (→GE) & FE

Grace-note in EE

Our variant suggestion

Chopin added the g2 grace note in the base text to EE, it is also present in the respective bar of Amar (cf. bar 33). In the remaining sources, the bar is an exact repetition of bar 33. Chopin would often use this kind of diversification of repeating motifs, cf., e.g., the Nocturnes in B major, Op. 32 No. 1, bars 22 and 43 and Op. 62 No. 1, bars 3-4, as well as the Concerto in E minor, Op. 11, 2nd mov., bars 33 and 41 (the bassoon part).

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of EE

notation: Ornaments

Missing markers on sources: FESch, FES, FED, FE3, FE4, GE1, GE2, EE1, EE2, FE5, GE2mar, Amar