Page: 
Source: 
p. 2, b. 23-42
p. 1, b. 1-22
p. 2, b. 23-42
p. 3, b. 43-64
p. 4, b. 65-84
Main text
Main text
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
Amar - Autograph fragment of March
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2mar - Second German edition of March
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 35

d1 in AmarGC (→GE) & FE

f1 in EE

The version of EE was introduced – most probably by Chopin – in the base text to this edition. The version with d1 offers a more distinct harmonic progression of the accompaniment, in the version with f1 thanks to the omission of the doubling of the leading note, the sound of the ending of the bar is smoother. It cannot be excluded that Chopin was not entirely sure about each of these versions (Chopin's hesitation in a similar situation can be found in, e.g., the Nocturne in F minor, Op. 48 No. 2, bars 24 and 52). Similarly in bar 51. 

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of EE

notation: Pitch

Missing markers on sources: FESch, FES, FED, FE3, FE4, GE1, GE2, EE1, EE2, FE5, GE2mar, Amar