Page: 
Source: 
p. 4, b. 49-70
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-48
p. 4, b. 49-70
p. 5, b. 71-88
p. 6, b. 89-101
Main text
Main text
GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
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  b. 67

in GE

No ornament in FE (→EE)

Our suggestion

Discrepancies in the marking of the first ain bar 67 with an ornament should be analysed with taking into account the analogy with bars 71 and 75. In all three places GE has , while in FE (→EE) an ornament () appears only in bar 75. In that context both markings mean the same, yet it is not clear whether Chopin ultimately wanted to change for in bar 75 alone, or also in bars 67 & 71, where it was realised partly due to misunderstanding or oversight. Therefore we supplement the main text with the sign  in parentheses.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE, Authentic corrections of FE

notation: Ornaments