Page: 
Source: 
p. 6, b. 29-52
p. 1
p. 2
p. 3
p. 4, b. 1-14
p. 5, b. 15-28
p. 6, b. 29-52
p. 7, b. 53-83
p. 8, b. 84-101
p. 9
p. 10
p. 11
p. 12
p. 13
p. 14
GE1 - First German Edition
Main text
GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GE - German edition
GE1 - First German Edition
GE2 - Later impression of GE1
FE - French edition
FE1 - First French Edition
FED - Dubois's copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
EE - English edition
EE1 - First English Edition
EE2 - Second impression of EE1
EE3 - Later impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF GE1 - First German Edition


  b. 48

R.H. quaver over the 6th L.H. note in GE (→FE)

Correct notation of the rhythm in EE

Just like in bars 29-36, in bar 48 of GE the rhythm  is irregularly presented against the triplets. FE also contains such notation, despite the fact that in bars 29-36 the identical rhythm was presented regularly. A similar situation also occurs in the following bars.

See b. 29-36

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: GE revisions, Dotted rhythms and triplets

notation: Rhythm