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p. 4, b. 57-75
p. 1, b. 1-18
p. 2, b. 19-38
p. 3, b. 39-56
p. 4, b. 57-75
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GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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GC - Gutmann's Copy
Afin - Autograph fragment of Finale
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
FE5 - Second French edition
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 66

Same as in bar 63, the absence of accidentals before the 8th quaver creates a doubt whether Chopin had in mind d-d1 or d-d1. In this case, however, we consider cancellations of alterations to be clearly the more likely possibility and we suggest the version with d-d1 as the only one.

Compare the passage in the sources »

category imprint: Interpretations within context; Editorial revisions

issues: Errors in FE, Errors in EE, Omissions to cancel alteration, Errors in GE, Errors of GC

notation: Pitch

Missing markers on sources: FESch, FES, FED, GE1, GE2, EE1, Afin