mUltimate Chopin

Op. 64 No 2, Waltz in C♯ minor

Text Compare Notes Sources Description

Issues : GE revisions

b. 125-126

composition: Op. 64 No 2, Waltz in C♯ minor

One-bar pedal in A (→FE→GE1op,GE1no2,EE)

Two-bar pedal in GE2op (→GE3op) & GE2no2
..

Similarly as in bars 61-62, in later GE the pedalling in bars 125-126 was changed after bars 109-110. 

category imprint: Differences between sources

issues: GE revisions

b. 128

composition: Op. 64 No 2, Waltz in C♯ minor

Sixth in A (→FE→EE,GE1no2,GE1op→GE2op→GE3op)

Triad in GE2no2
..

The c1 note, added to the authentic sixth on the 2nd beat of the bar, is an arbitrary addition of GE2no2, aiming at unifying this place with bar 64.
In As the bar is not written out, so we assume that it includes a triad, same as bar 48 and its remaining default repetitions.

category imprint: Differences between sources

issues: GE revisions

b. 131-147

composition: Op. 64 No 2, Waltz in C♯ minor

..

In the main text we add a cautionary  before f1 in bars 131 and 147. The signs were added already in #GE3no2 and GE3op.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 131

composition: Op. 64 No 2, Waltz in C♯ minor

 in A

 in FE

 in GE1op & GE1no2

 in EE, GE2op (→GE3op) & GE2no2

 suggested by the editors
..

In the main text we unify the range of the  hairpins in bars 131-132 and 135-136 on the basis of the notation of A in bar 3 and 7-8. The signs in FE begin earlier and in the remaining editions they were extended even more: in GE1op and GE1no2 on the right-hand side, in the remaining – on the left-hand side.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , GE revisions

b. 131

composition: Op. 64 No 2, Waltz in C♯ minor

..

FE (→EE) overlooked the  sign in this bar and GE1op also the preceding it  sign. These are certainly mistakes – cf. corresponding bar 3.

category imprint: Differences between sources

issues: Errors in FE , Errors in GE , GE revisions