Page: 
Source: 
p. 6, b. 70-83
p. 1, b. 1-14
p. 2, b. 15-24
p. 3, b. 25-39
p. 4, b. 40-54
p. 5, b. 55-69
p. 6, b. 70-83
Main text
Main text
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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Pedalling
Fingering
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 81-83

 in FC (→GE1) & FE

Pedalling in EE

  in GE2 (→GE3)

The pedalling of EE is probably authentic, which is proved by, i.a., the characteristic sustention of pedal at the transition between bars 82 and 83. It is only the  sign at the end of the piece that raises doubts, often routinely added by the editors (e.g., GE2 and GE3). In the main text, we give the probably later indication, transmitted accordingly by FC (→GE1) and FE. Cf. the pedalling in bars 77-80.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Pedalling

Missing markers on sources: FED, FEJ, FES