Page: 
Source: 
p. 9, b. 85-96
p. 1, b. 1-12
p. 2, b. 13-22
p. 3, b. 23-32
p. 4, b. 33-44
p. 5, b. 45-54
p. 6, b. 55-64
p. 7, b. 65-74
p. 8, b. 75-84
p. 9, b. 85-96
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Another copy of #GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 93

 in GC

 in FE

 in GE & EE

The sources do not clearly indicate where Chopin wanted to put . In the main text we give the indication on the basis of GC, in which it was Chopin himself that wrote it. It can also be seen that it was a correction – the same indication, written by the copyist slightly lower, was crossed out. The interpretation of both the entry and correction is, however, difficult – we do not know whether the indication should concern the 1st beat of the bar or be valid only from the second one or if it should concern only or more the R.H. or the entire chords. According to us, each of the source versions can be considered to be justified, both graphically and musically. The solution adopted in the main text refers to the more graphically clear situation in bar 83

Compare the passage in the sources»

category imprint: Graphic ambiguousness; Differences between sources

issues: Authentic corrections in GC

notation: Verbal indications

Missing markers on sources: GC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3