Fingering
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b. 1
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composition: Op. 25 No 7, Etude in C♯ minor
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The characteristic, expressive Chopin fingering was written by the composer in FES. category imprint: Differences between sources |
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b. 1
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composition: Op. 25 No 7, Etude in C♯ minor
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The fingering written in FED and FES complement each other and partially overlap, hence in the main text we give them together. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 5
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composition: Op. 25 No 7, Etude in C♯ minor
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The authenticity of the 3rd fingering numeral in FE does not raise any doubts, however, it is not certain whether it was added in the base text to FE already after GC and base text to EE had been prepared or added in the proofreading of FE. The triple use of the 1st finger in a very similar melodic and piano performance context appears in the Etude in G category imprint: Differences between sources |
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b. 8
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composition: Op. 25 No 7, Etude in C♯ minor
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In fact, the numerals written into FED and FES can be treated jointly, yet, most probably, they indicate different fingering of the first five semiquavers: category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Annotations in FES |
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b. 11-12
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composition: Op. 25 No 7, Etude in C♯ minor
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The fingering is written with the pupil's hand, most probably in the place of the less legible, pencilled fingering written by Chopin (cf. bars 13 and 14). category imprint: Differences between sources |
minor, No. 6, bars 
