mUltimate Chopin

Op. 25 No 6, Etude in G♯ minor

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Page: 
Source: 
p. 5, b. 41-52
p. 1, b. 1-10
p. 2, b. 11-20
p. 3, b. 21-30
p. 4, b. 31-40
p. 5, b. 41-52
p. 6, b. 53-63
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Main text
FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 49

B1 in FC (→GE) & EE

G1 In FE

Compliance of FC (→GE) and EE allows to suppose that B1 was also in [A], while G1 in FE is a result of Chopin proofreading. Most probably it was actually a correction of quite a frequently encountered mistake in Chopin's works concerning the number of ledger lines (cf., e.g., the Etude in Gmajor, Op. 10 No. 5, bar 72.  

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in EE, Terzverschreibung error, Errors in the number of ledger lines, Authentic corrections of FE, Errors of FC

notation: Pitch

Missing markers on sources: GE1b, FED, FEJ, FES, FE1, FE2, GE1, GE1a, GE2, GE3, FC, EE1, EE2, EE3
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