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p. 3, b. 21-30
p. 1, b. 1-10
p. 2, b. 11-20
p. 3, b. 21-30
p. 4, b. 31-40
p. 5, b. 41-52
p. 6, b. 53-63
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 26

g (without ) in FC & FE

in GE1

g (with ) in EE & GE2 (→GE3)

Chopin did not introduce any accidental before the 3rd chord (which results from the compatibility of the version of FC and FE). Hence it is to be interpreted as g-b-f1. The version of GE1 with is undoubtedly erroneous – the reviser could have wanted to add a cautionary sign after the  lowering g1 to g1 at the beginning of the bar. In the same place, EE added a cautionary  (the sign could have been authentic, if it had already been in the base text to EE; however, an editorial revision is more likely). The mistake of GE1 was corrected in GE2 (→GE3), changing  before the bottom note for ; a cautionary  was also added before and another before e1 in the next chord. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Errors in GE, GE revisions

notation: Pitch

Missing markers on sources: GE1b, FED, FEJ, FES, FE1, FE2, GE1, GE1a, GE2, GE3, FC, EE1, EE2, EE3