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Source: 
p. 3, b. 49-68
p. 1, b. 1-23
p. 2, b. 24-48
p. 3, b. 49-68
p. 4, b. 69-88
p. 5, b. 89-107
p. 6, b. 108-138
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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FC - Fontana's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 50

The minim is not extended with a dot in any of the sources. In analogous bar 86 one of the sources – FE – features a dotted minim, so one can ponder which of the values is correct. If we were to consider the authentic pedalling, ensuring that the note sounds throughout the entire bar, it would turn out that the choice of a rhythmic value is of the ideational meaning only. Therefore, we do not intervene in the source text and we adopt this version in the main text also in bar 86. In GE, the allegedly missing rhythmic value of the bottom voice was arbitrarily completed with a crotchet rest (cf. bars 49-57). The addition was repeated in EE3.

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, GE revisions

notation: Rhythm

Missing markers on sources: FC, FE1, FE2, FED, FEJ, FES, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, GE1b