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p. 1, b. 1-16
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It is unclear why the 
sign visible in A (→FE) was neither in FC (→GE) nor in EE. It could have been Fontana's oversight in FC and a similar inaccuracy in the base text to EE or in the very edition. It is also possible that Chopin added this sign in A already after having prepared the copy. According to us, crescendo, although not necessarily, is not contrary to the previous dynamic nuances, hence in the main text we leave its inclusion at the discretion of the performer.
See b. 2-4
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category imprint: Differences between sources
issues:
notation: Articulation, Accents, Hairpins
Missing markers on sources:
FC, A, EE1, EE2, EE3, FE1, FE2, GE3, FED, FEJ, FES, GE1, GE1a, GE2, GE1b