mUltimate Chopin

Op. 25 No 2, Etude in F minor

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Page: 
Source: 
p. 4, b. 51-69
p. 1, b. 1-14
p. 2, b. 15-32
p. 3, b. 33-50
p. 4, b. 51-69
Main text
Main text
AT - Autograph of a fragment
AW - Presentation Autograph
CDP - Copy for Delfina Potocka
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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Graphic ambiguousness
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Articulation, Accents, Hairpins
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Differences
No differences
AT - Autograph of a fragment
AW - Presentation Autograph
CDP - Copy for Delfina Potocka
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
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  b. 62

No indication in AW, GC (→#GE0, FE & EE1

leggiero e poco ritard. in EE2 (→EE3)

The indication added in EE2 (→EE3), obviously non-authentic, does not seem to be accurate – Chopin probably had this type of effect on his mind in bar 57.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions

notation: Verbal indications

Missing markers on sources: AT, AW, CDP, GC, FE1, FES, FED, FEJ, FE2, GE1, GE1a, GE2, GE3, EE1, EE2, EE3, GE1b
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