Rhythm
- « Previous
- 1
- 2
- Next »
b. 76
|
composition: Op. 10 No 10, Etude in A♭ major
..
The simplified rhythmic notation of a1 on the 8th quaver in the bar used by Chopin in A (→FE) made the revisers of GE and EE to attempt its clarification or correction. The notation of EE strictly reproduces Chopin's intention, although at the expense of complicating the notation. In turn, in GE1 (→GE2) the addition of a dot extending the minim only replaced one imprecise notation with another. What is more, the notation provoked the reviser of GE3 (→GE4) to shift the minim to the 7th quaver, which practically eliminated this note being struck as part of the chord, totally distorting the figuration's contour in this place. category imprint: Differences between sources issues: EE revisions , GE revisions |
|||||||
b. 76
|
composition: Op. 10 No 10, Etude in A♭ major
..
The crotchet stem, visible in A, extending the c1-e1 third, was not included in any of the editions. Chopin's final intention is not entirely clear here, as the stem could refer to the original notation of a1 as a quaver or crotchet. category imprint: Differences between sources issues: Inaccuracies in FE |
|||||||
b. 77
|
composition: Op. 10 No 10, Etude in A♭ major
..
The missing fermata mark in FE (→GE,EE) is almost certainly an oversight of the engraver of FE. In the main text we add a relevant mark for the L.H. to the fermata written in A over the chord in the R.H. category imprint: Differences between sources; Editorial revisions issues: Errors in FE |
- « Previous
- 1
- 2
- Next »