Page: 
Source: 
p. 2, b. 17-32
p. 1, b. 1-16
p. 2, b. 17-32
p. 3, b. 33-50
p. 4, b. 51-67
Main text
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
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No differences
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 22-23

No pedalling in AI & A

 in FE

  in GE & EE

Our suggestion

After the  mark in the middle of bar 22, FE is missing the  mark. In GE and EE was added at the end of this bar, yet according to us, Chopin probably had in mind a one-and-a-half bar pedal.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, Inaccuracies in FE, GE revisions, Authentic corrections of FE, No pedal release mark

notation: Pedalling

Missing markers on sources: FE1, A, AI, FE2, FED, FEJ, FES, GE1, GE2, GE3, GE4, EE3, EE4