Slurs
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b. 51-52
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composition: Op. 38, Ballade in F major
category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 53-55
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composition: Op. 38, Ballade in F major
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The incomplete and different slurring in EE results most probably from inaccuracy and mistakes by the engraver. The two-bar slur in bars 54-55 (and a similar one in bar 56-57) is placed over a figurate passage that resembles a uniform, ascending-descending arpeggio, and encompasses a half of line. It has not much in common either with the slurs in A, or with the real phrasing. category imprint: Differences between sources issues: EE revisions , Errors in EE |
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b. 55-57
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composition: Op. 38, Ballade in F major
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In A (→GC→GE,→EE) in bars 55 and 57 there are no slurs in the L.H. It is unclear how these undoubtedly justified slurs appeared already in FE1, which, due to a significant number of errors, seems to be a copy before any corrections. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 56-57
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composition: Op. 38, Ballade in F major
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As in bars 54-55, the combined slur in EE results most likely from a mistake or misunderstanding of the script of A. category imprint: Differences between sources issues: EE revisions , EE inaccuracies |
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b. 58
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composition: Op. 38, Ballade in F major
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The lack of L.H. slur In A (→GC,EE) has to be recognized as an inaccuracy – cf. slurs in similar bars 48, 50 or 56. The slur was added in FE and in GE. category imprint: Differences between sources issues: Inaccurate slurs in A |
