Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 3, Etude in E major
We put the dim. indication, present only in AI, at the transition between bars 74-75. According to us, one cannot exclude that Chopin had in mind the transition of bars 73-74. The indication – in spite of its arrangement – does not seem to be necessary at all in the final version, after the previous dim. and 
(in AI none of these indications are present).
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
notation: Verbal indications
