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Fingering

b. 23

composition: Op. 10 No 6, Etude in E♭ minor

No sign in A (→FEGE,EE)

Possible reading of FED

..

The unclear mark visible in FED may be a fingering digit ('1') or an indication to perform f by the left hand.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 26

composition: Op. 10 No 6, Etude in E♭ minor

..

In the main text we give the fingering written by Chopin in A (→FEGE). The fingering suggested by Fontana in EE matches the version with sole G.

category imprint: Differences between sources

issues: EE revisions

b. 38-40

composition: Op. 10 No 6, Etude in E♭ minor

No fingering in A (→FEGE)

Fingering in EE

..

In EE, at the beginning of each of these bars, Fontana added the fingering based on the one by Chopin from bar 17.

category imprint: Differences between sources

issues: EE revisions

b. 45-46

composition: Op. 10 No 6, Etude in E♭ minor

Fingering in A

No fingering in FE (→GE,EE)

Fingering written into FES

..

In the main text we give the fingering added by Chopin in FES. The 1st finger on e1 in bar 45 is also copied in A.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 47-49

composition: Op. 10 No 6, Etude in E♭ minor

Fingering in A (→FE)

 
..

In the main text we reproduce the fingering written in bar 47 in A (→FE). The arrangement of the digits under or above the notes indicates a division between the hands, which was misinterpreted in GE. Fontana also did not include (did not understand?) this hint in EE, suggesting a different division and repeating his own indications in bars 48-49 (except the first note in bar 49).

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in GE