Page: 
Source: 
p. 4, b. 65-85
p. 1, b. 1-23
p. 2, b. 24-44
p. 3, b. 45-64
p. 4, b. 65-85
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Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Slurs
Articulation, Accents, Hairpins
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 79-80

No marks in A

Accents in FE (→GE,EE)

All articulation indications and accents in bars 79-84 were added by Chopin in a proofreading of FE (→EE). However, the attention is drawn by the fact that the slurs were introduced in the entire four-bar section, yet the accents appear only in bars 79-80. It is unclear whether it is a result of distraction (Chopin's or the engraver's) or a conscious decision of the composer, which, after all, does not have to indicate a change in the performance manner, as the accents in bars 79-80 may be interpreted as a model valid until the end of bar 82. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Authentic corrections of FE

notation: Articulation, Accents, Hairpins

Missing markers on sources: A, FE1, FE2, FED, FES, FEJ, GE1a, GE2, GE3, GE4, GE5, EE2, EE3, EE4, GE1