Page: 
Source: 
p. 5, b. 66-84
p. 1, b. 1-17
p. 2, b. 18-34
p. 3, b. 35-49
p. 4, b. 50-65
p. 5, b. 66-84
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Rhythm
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link PDF A - Autograph


  b. 83

 in A

No indication in FE (→GE,EE

 written into FED

() suggested by the editors

It is uncertain why  written in A was not included in FE (→GE,EE). Lack of the traces of a possible deletion of the mark allows to assume its omission by the engraver, e.g., in relation to lack of space between the staves. Due to this fact, in the main text we suggest a variant solution. At the same time, we move the indication to the beginning of the bar, as the way it is written in A suggests that it concerns the entire chordal ending of the Etude. This conclusion, as well as the very need for a dynamic indication in this place, is confirmed by Chopin's entry in FED

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE, Centrally placed marks

notation: Verbal indications

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4