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Source: 
p. 3, b. 34-50
p. 1, b. 1-18
p. 2, b. 19-33
p. 3, b. 34-50
p. 4, b. 51-68
p. 5, b. 69-84
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
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EE - English edition
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EE4 - Revised impression of EE3
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  b. 45-50

No fingering in A (→FEGE)

Fingering in EE

According to his generally observed rule, Chopin did not give here the fingering in FE, as he had already indicated it in identical figures in bars 1-10. In EE Fontana added the fingering after his own development of fingering in bars 5-10, yet not identical (the 2nd finger in the L.H. at the end of bar 47 is an alternative solution, while the 4th finger on d1 in bar 49 is certainly a mistake related to the change of fingering indications to the English system – General Editorial Principlesp. 10). In the main text we respect Chopin's decision expressed in FE of not repeating the fingering given at the beginning of the Etude

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions

notation: Fingering

Missing markers on sources: FE1, FE2, FED, FEJ, FES, A, GE1, GE2, GE3, GE4, EE3, EE4