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Verbal indications

b. 2-10

composition: Op. 10 No 12, Etude in C minor

Indications in A

No indications in FE (→GE,EE

..

It is uncertain why FE (→GE,EE) does not include the expressive markings written in A in bars 2 and 10. Most probably it is a result of the engraver's inaccuracy (haste?), however, even if it was the case, Chopin did not feel the need to complete these indications at the time of proofreading FE, despite the fact that in bar 2 he added a mark in this place. Therefore, respecting the image of the Etude accepted by Chopin for publication, we do not give them in the main text.

category imprint: Differences between sources

b. 5

composition: Op. 10 No 12, Etude in C minor

 in A

No marking in FE (→GE,EE

Our variant suggestion

..

In the main text we suggest a possibility of adding  from A to the dynamic markings of FE (→GE,EE). Lack of any suggestion of emphasising the climax of the chordal motifs in the introduction may be considered here as an inaccuracy of notation.

category imprint: Differences between sources

b. 5

composition: Op. 10 No 12, Etude in C minor

in A, contextual interpretation

No indication in FE (→GE,EE

Our variant suggestion

..

Not being certain whether the lack of sempre legato in FE (→GE,EE) is accidental, we give the indication in brackets. In bars 45-46 the analogous passage is embraced with slurs in all sources, which indirectly confirms the legato articulation also in this case. In spite of the fact that the indication in A begins only in the 2nd group of semiquavers, its binding force from the beginning of the passage is undeniable.

category imprint: Differences between sources

issues: Inaccuracies in FE , Centrally placed marks

b. 5

composition: Op. 10 No 12, Etude in C minor

con forza in A

con fuoco in FE (→GE,EE)

..

It is hard to state how con forza written in A would become con fuoco in FE (→GE,EE). In the editors opinion a mistake in reading the manuscript is quite probable. However, we keep the published version in the main text because Chopin undoubtedly controlled the performance indications while proofreading FE – i.a. he added just con forza in bar 15 – and did not change anything at the place under discussion.

category imprint: Differences between sources

issues: Errors in FE , Authentic corrections of FE

b. 7-8

composition: Op. 10 No 12, Etude in C minor

in A

in FE (→GE,EE

..

The omission of the dashes limiting the range of the dynamic change in FE (→GE,EE) belongs to the most frequent inaccuracies of French first editions of Chopin's works.

category imprint: Differences between sources

issues: Inaccuracies in FE