mUltimate Chopin

Op. 10 No 2, Etude in A minor

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 39-49
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 47-49

Rhythm in CLI

Ap

FE (→GE,EE) 

The version of CLI seems to be the earliest shaping stage of the part of the L.H. in the ending of the Etude. However, it cannot be excluded that the notation is incomplete (lack of ties) or erroneous (one-voice notation of bar 47). After considering all possible mistakes and oversights, the version of CLI does not differ from the version of Ap. In any case, Chopin waived dividing the octave in bar 47 already in the base text for FE, which we consider as the final decision. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Accompaniment changes, Errors of CLI

notation: Rhythm

Missing markers on sources: GE1
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