Page: 
Source: 
p. 2, b. 9-18
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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Rhythm
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Articulation, Accents, Hairpins
Verbal indications
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No differences
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
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  b. 15-17

cresc. dim. in Ap

cresc. & dim. in FEcor

cresc. & dim. (later) in FE (→GE,EE)

In the main text we give the dynamic markings written in FEcor, in accordance with the visible in this Etude Chopin's tendency to indicate only general framework of dynamic details. However, the more precise indications of Ap may be, according to us, treated as their completion. In FE (→GE,EE) the dim. indication, written in FEcor in the middle of bar 17, was reproduced a little bit later, on the 3rd beat of the bar. 

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category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections of FE

notation: Verbal indications

Missing markers on sources: GE1