Page: 
Source: 
p. 2, b. 9-18
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
Main text
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 12

No marking in Ap

 in FE (→GE,EE

The  sign in FE (→GE,EE), unjustified in this context (cf. analogous bars 4 and 39), is probably a result of an overlap of two mistakes:

  • Chopin overlooked this place, while reducing the number of  signs in the autograph prepared as the base for printing (Ap has 11 signs, including one in analogous bar 4; in the final version Chopin either did not include them at all or he replaced them with accents);
  • the engraver of FE put  instead of ; in the entire Op. 10 a similar mistake was committed on a number of occasions (in the Etudes in: E major, No. 3, bar 54, C minor, No. 4, bars 1, 8, 16, 26, 54, E minor, No. 6, bars 21 and 32, C minor, No. 12, bar 37).

Due to these reasons we omit this in the main text. Cf. bar 27.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: Errors in FE, fz – f

notation: Verbal indications

Missing markers on sources: GE1