Page: 
Source: 
p. 1, b. 1-8
p. 1, b. 1-8
p. 2, b. 9-18
p. 3, b. 19-28
p. 4, b. 29-38
p. 5, b. 39-49
CLI - Copy by Linowski
Main text
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
CLI - Copy by Linowski
Ap - Presentation autograph
FE - French edition
FEcor - Chopin's FE proof
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - Second impression of [EE1]
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF CLI - Copy by Linowski


  b. 1

in CLI & Ap

in FE (→GE,EE)

We give the time signature marking after CLI and Ap. Although FE (→GE,EE) has , it is hard to assume that the change in time signature was done on purpose, if in FE the  marking was not used in the Etudes even once – contrary to the manuscripts – cf. Etudes in C minor, No. 4, F major, No. 8 and C minor, No. 12. The phenomenon appears also in other pieces, even in totally clear situations, e.g., in Etudes in F minor, Op. 25 No. 2, D major, Op. 25 No. 8 or F minor, Dbop. 36 No. 1. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: 4/4 or 2/2

notation: Rhythm

Missing markers on sources: GE1