mUltimate Chopin

Op. 10 No 8, Etude in F major

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Page: 
Source: 
p. 6, b. 67-79
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 77-78

Tie to c in A

Tie in FE, literal reading

Interpretation of tie in FE, tie in GE & EE4

Slur in EE3

In the main text we give the notation of A, in which the sustained c note does not raise any doubts. In spite of this, in FE the tie was inaccurately reproduced (only in bar 78 in the new line of the text) and with a mistake (it reaches F), so that in none of the remaining editions the correct text was guessed. We consider the version of GE and EE4 to be a natural interpretation of FE. 

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FE, GE revisions

notation: Rhythm

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4
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