Page: 
Source: 
p. 7, b. 80-95
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
Main text
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 80-81

No fingering in A

Fingering in FE (→GE)

EE

Fingering written in FES

The fingering added in FE (→GE) in bar 81 – probably by Chopin – despite being totally correct from the pianistic point of view, is, however, contrary to Chopin's fingering of similar figures in bars 26, 77 and particularly 83. Due to this fact, in the main text we give the fingering added in pencil in FES. The fingering of FE was also not included by Fontana in EE, who proposed a solution modeled on Chopin's hints in similar bars, hence compatible with the annotations in FES

Compare the passage in the sources»

category imprint: Differences between sources

issues: Annotations in teaching copies, Annotations in FES, Authentic corrections of FE

notation: Fingering

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4