Page: 
Source: 
p. 6, b. 67-79
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
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Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 77

In A there are no accidentals before the upper minim in the L.H. at the beginning of the bar and before the penultimate semiquaver in the R.H. First of these undeniable oversights was corrected already in FE (→GE,EE), the second – only in GE.

In A the flat before the 5th semiquaver (e4) is arranged clearly too low, at the level of b3.

Compare the passage in the sources»

category imprint: Interpretations within context; Differences between sources

issues: GE revisions, Omission of current key accidentals, Authentic corrections of FE, Accidental below/above the note, Last key signature sign

notation: Pitch

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4