Page: 
Source: 
p. 2, b. 15-30
p. 1, b. 1-14
p. 2, b. 15-30
p. 3, b. 31-46
p. 4, b. 47-62
p. 5, b. 63-78
p. 6, b. 79-95
A - Autograph
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF A - Autograph

Original in: The Fryderyk Chopin Museum, Warsaw


  b. 30-34

In the sources the octaves at the beginning of bars 30, 32 and 34 are briefly written with the digit 8. The exception is the D1-D octave in bar 30 in A. In FE (→GE,EE) its replacement with brief notation was certainly the engraver's decision, resulting from the Etude's densely packed text.

Compare the passage in the sources»

category imprint: Differences between sources

issues: FE revisions

notation: Shorthand & other

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4