Page: 
Source: 
p. 2, b. 1-17
p. 1
p. 2, b. 1-17
p. 3, b. 18-35
p. 4, b. 36-53
p. 5, b. 54-73
p. 6, b. 74-95
EE3 - Corrected impression of [EE2]
Main text
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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copy link PDF EE3 - Corrected impression of [EE2]

Original in: Royal Academy of Music, London


  b. 1-3

No fingering in A

Fingering in FE (→GE)

EE

Three digits defining the fingering of the first passages of the Etude (based on one finger arrangement) were added by Chopin in a proofreading of FE (→GE,EE). In EE, Fontana added to them a number of next ones, developing the composer's hints, specifying, e.g., the places of crossing under of the 1st finger.  

See b. 4-8

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Authentic corrections of FE

notation: Fingering

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4