Page: 
Source: 
p. 4, b. 41-52
p. 1, b. 1-14
p. 2, b. 15-28
p. 3, b. 29-40
p. 4, b. 41-52
p. 5, b. 53-66
p. 6, b. 67-79
p. 7, b. 80-95
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
EE - English edition
EE3 - Corrected impression of [EE2]
EE4 - Revised impression of EE3
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  b. 47-49

Dotted minims in A

Minims in FE (→GE,EE)

Various rhythmic values of the elements of the A1-A octave in bars 47 and 49, marked in details in A, were not reproduced in FE (→GE,EE). Most probably, it is a result of misunderstanding of the manuscript. However, it should be emphasised that the pedalling added in a proofreading of FE makes the longer detention of the upper note a purely technical action, without any impact on sound.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Different values of chord components, Inaccuracies in FE

notation: Rhythm

Missing markers on sources: A, FE1, FE2, FED, FEJ, FES, EE3, EE4, GE1, GE2, GE3, GE4