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Fingering

b. 53-57

composition: Op. 10 No 8, Etude in F major

No fingering in A

Fingering in FE (→GE)

..

In the main text we give the fingering in bar 53, written by Chopin in a proofreading of FE (→GE). In this and next bars, Fontana added a number of further hints in EE, specifying Chopin's indications.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 61-66

composition: Op. 10 No 8, Etude in F major

No fingering in A

Fingering '4' in FE (→GE)

Fingering in EE

..

Chopin added the digit '4' at the beginning of bar 61 in a proofreading of FE (→GE,EE). In the latter, Fontana completed the indications concerning the fingering in accordance with Chopin's previous hints. In bar 62 two mistakes were committed – over there is the digit '4' determining the 5th finger, then the 1st finger was indicated for a1.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 67-69

composition: Op. 10 No 8, Etude in F major

No fingering in A

Fingering in FE (→GE)

..

In the main text we give the fingering added by Chopin in bars 67-68 in a proofreading of FE (→GE,EE). Fontana completed it in EE both in these bars and in the next one. The additions define the fingering according to Chopin.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 71-74

composition: Op. 10 No 8, Etude in F major

Fingering in A

FE (→GE)

..

The fingering, only suggested in A, was precisely completed by Chopin in FE (→GE). In EE Fontana added a few indications more in bars 72 and 74.

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 75

composition: Op. 10 No 8, Etude in F major

..

FE has the digit '1' over e2, which is a mistake. This patent error was corrected in GE and EE, as well as in FES

category imprint: Differences between sources

issues: Errors in FE