Issues : Authentic corrections of FE
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b. 59
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composition: Op. 10 No 8, Etude in F major
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FE1 features erroneous c3 as the 12th semiquaver, which was corrected in FE2. GE and EE also include the correct text. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 60
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composition: Op. 10 No 8, Etude in F major
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A includes a category imprint: Interpretations within context; Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 61-65
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composition: Op. 10 No 8, Etude in F major
category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 61
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composition: Op. 10 No 8, Etude in F major
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In A the last quaver is the F-c fifth, yet the bottom note in FE1 is a G. This patent error was corrected in all remaining editions. category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 61-66
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composition: Op. 10 No 8, Etude in F major
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Chopin added the digit '4' at the beginning of bar 61 in a proofreading of FE (→GE,EE). In the latter, Fontana completed the indications concerning the fingering in accordance with Chopin's previous hints. In bar 62 two mistakes were committed – over a there is the digit '4' determining the 5th finger, then the 1st finger was indicated for a1. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
2 in 
before the penultimate semiquaver (superfluous), in turn, it does not include any sign before the last one. This patent oversight was corrected already in a proofreading of 
